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Bathing depressive who officiated posingly?. White Rabbit Productions. Film 44. Distributor Release Original network Original release June 29, 2014 ( 2014-06-29) – June 4, 2017 ( 2017-06-04) External links The Leftovers is an American television drama series created by and, that aired on from June 29, 2014, to June 4, 2017.
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It is based on Perrotta's. The pilot was written by Lindelof and Perrotta, and directed. The series stars an ensemble cast featuring,. The series was renewed for a second season, which premiered on October 4, 2015, and concluded December 6, 2015. On December 10, 2015, HBO renewed the show for a third and final season, which premiered on April 16, 2017 and concluded on June 4, 2017.
Seven centuries after the birth of Petrarch (1304-74) the nature and extent of his influence loom ever larger in the study of renaissance literature. In this revised and expanded edition ofPetrarch's Canzoniere in the English Renaissance Anthony Mortimer presents a unique anthology of 136 English poems together with the specific Italian texts that they translate, adapt or exploit. The result, with its revealing juxtapositions of major and minor figures, makes fascinating reading for anyone who wants to get beyond broad generalizations about Petrarchism and see exactly what English poets made of Petrarch's celebrated sequence. Reviewing the first edition, Professor Brian Vickers wrote: An ideal text-book for university courses in English or Comparative Literature. The critical introduction is a fresh, independent and accurate survey of the role of Petrarchism in the English Renaissance. Our literary history is being rewritten, more accurately.
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The Lost Girls analyses a number of British writers between 1850 and 1930 for whom the myth of Demeter’s loss and eventual recovery of her cherished daughter Kore-Persephone, swept off in violent and catastrophic captivity by Dis, God of the Dead, had both huge personal and aesthetic significance. This book, in addition to scrutinising canonical and less well-known texts by male authors such as Thomas Hardy, E. Forster, and D. Lawrence, also focuses on unjustly neglected women writers – Mary Webb and Mary Butts – who utilised occult tropes to relocate themselves culturally, and especially in Butts’s case to recover and restore a forgotten legacy, the myth of matriarchal origins. These novelists are placed in relation not only to one another but also to Victorian archaeologists and especially to Jane Ellen Harrison (1850-1928), one of the first women to distinguish herself in the history of British Classical scholarship and whose anthropological approach to the study of early Greek art and religion both influenced – and became transformed by – the literature. Rather than offering a teleological argument that moves lock-step through the decades,The Lost Girls proposes chapters that detail specific engagements with Demeter-Persephone through which to register distinct literary-cultural shifts in uses of the myth and new insights into the work of particular writers.